![]() Download an Android emulator for PC and Mac:.Visit Kamila’s portfolio website and follow her recent works on her Instagram and Facebook. What a versatile artist you are - hats off to you! Kamila, thank you for your time and for showing the world how beautiful watercolors are! I was astonished how fun it was! I am also very proud of motion graphics animation about the history of my hometown, which was one of the most difficult and labor-intensive commissions. I also made realistic illustrations of retro cars in watercolor style. I was commissioned to illustrate and animate how the engine of a plane works! □ I had no idea how a plane’s engine works before, but I made it with lots of details. Especially when I was on the begin of my path. I am a freelance illustrator specializing mostly in children books and portraits, but I’ve had a lot of odd, difficult or ridiculous commissions. What is the oddest setting or painting you’ve been commissioned to do? Many users are asking about iPad compatibility, so this is a very handy workaround. It’s Astropad for Macs and Eas圜anvas for PC. It is an app which mirrors a computer screen on iPad and makes it work as a digitizer. I did some research and found a solution. I didn’t have problems with it, but drawing on iPad and seeing an image right under my hand feels way more natural! I was devastated when I heard that there is no Rebelle app for iPad. I used only Wacom Intuos Pro so far, so I was drawing while watching the screen. In this year I bought an iPad Pro and I am totally crazy about it. Yet it is so important in the traditional painting process!Īs a person who has never drawn a straight line, I appreciate Ruler in Rebelle 3. A Water tool is something I have never seen in other software. I love that we can control spreading by using the Tilt. ![]() Rebelle watercolor brush was the first program where I found advantages of unexpected behavior of a paint - so similar to real one! I always watch how the paint is spreading over the sheet with eyes wide open. I’ve tried various digital software and found a lot of cool watercolor brushes, but all of them copied only the watercolor look but not a behavior. In your opinion, what advantages does painting in Rebelle have over other paint tools? And that puts our creativity in motion… or can ruin all the effort. In traditional art we have less control over the paints - thanks to a random splash, spot or stroke, we can see in our work something more, something different than we intended. There’s also certain randomness which always accompanies the traditional process. I believe that recreating how a texture of the paper influences paint’s behavior digitally is a hard task. When you compare both traditional and digital technique, what are the most difficult parts to re-create and understand what is needed to get that realism on digital canvas? :) The best artworks are created when I’m not overthinking that they should be perfect. So recently, I put a lot of effort not to create overworked illustrations. It’s very hard to find a balance between depiction and looseness in the creative process. A long time ago, I noticed that too many heavy details can kill lightness and freshness of an illustration. I pay a lot of attention to details - unfortunately too much sometimes. That sounds great! Hopefully, we’ll see your watercolor animation soon! What part of a picture do you put the most effort into and why? One of my newly discovered passions is motion graphics. I love to challenge myself with new techniques, styles, and themes. I am still interested in different digital and traditional mediums. :)ĭuring my college years, I also discovered Photoshop so I learned digital and traditional painting at the same time and very quickly started to search the ways how to make my digital illustrations more traditionally-looking. I gave them a second chance after many years during my university studies and this time it was true love. I was too impatient to wait till they dry. They were dull and spread on a sheet so quickly. It’s understandable that somebody who paints beyond lines when coloring the coloring pages can’t be good at drawing! My first meeting with watercolors (also in preschool) didn’t end up successfully. My skills weren’t very appreciated in my preschool. I draw since my early childhood and was never apart paper and pencil since then, as any artists do. Can you tell how has your art developed throughout the years? Hello Kamila, we’re very pleased to talk with you today. We had a wonderful time talking with this skilled Poland-based illustrator about her love for both digital and traditional watercolors. With great pleasure, we’d like to introduce our Rebelle Featured Artist Kamila Stankiewicz.
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